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The scroll in art is an element of ornament and graphic design featuring spirals and rolling incomplete circle motifs, some of which resemble the edge-on view of a book or document in scroll form, though many types are plant-scrolls, which loosely represent plant forms such as vines, with leaves or flowers attached.
Hanging crafts are also called by the names like Wall décor, Wall art, Wall Crafts, etc. Hanging crafts can project abstract shapes fashioned from sheet metal, wood, paper or plastic materials, connected by wire or chord, whose individual elements are capable of moving independently or as a whole when prompted by air movement or direct contact.
The upper part of the scroll is called tiantou (天頭; symbolizing "Heaven") and the lower part is called ditou (地頭; symbolizing "Earth"). [1] [5] At the top of the scroll is a thin wooden bar, called tiangan (天杆), on which a cord is attached for hanging the scroll. [3]
French ormolu mantel clock (around 1800) by Julien Béliard (1758 – died after 1806), Paris.The clock case by Claude Galle (1758–1815) Ormolu (/ ˈ ɔːr m ə ˌ l uː /; from French or moulu 'ground/pounded gold') is the gilding technique of applying finely ground, high-carat gold–mercury amalgam to an object of bronze, and objects finished in this way.
And the second was the "harmony by contrast" that was to use the colors that were opposite of one another on the color wheel. There was a favored tripartite wall that included a dado or wainscoting at the bottom, a field in the middle and a frieze or cornice at the top. This was popular into the 20th century.
Geometric interlacing patterns are common in Islamic ornament. They can be considered a particular type of arabesque. Umayyad architectural elements such as floor mosaics, window grilles, carvings and wall paintings, and decorative metal work of the 8th to 10th centuries are followed by the intricate interlacings common in later medieval Islamic art.