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The wax will "resist" the dye, and after it is removed there will be a pattern in two colours. Batik, shibori and tie-dye are among many styles of resist dyeing. [3] [4] Wax or grease can also be used as a resist in pottery, to keep some areas free from a ceramic glaze; the wax burns away when the piece is fired. [5]
In pottery these are used to produce plastic clay body from a slip. Invariably the output from a press, called filter cakes, are then fed into pugs for de-airing and extrusion. Fine Fireclay A semi-vitreous ceramic used for very large pieces of sanitaryware. Despite the name most formulations do not use fireclay, but all use some chamotte.
Raku is a unique form of pottery making; what makes it unique is the range of designs that can be created by simply altering certain variables. These variables—which include wax resist, glazes, slips, temperature, and timing [16] —ultimately determine the outcome when firing a piece of clay.
Batik, created using the technique of wax-resist dyeing originated from Indonesia. Resist dyeing ( resist-dyeing ) is a traditional method of dyeing textiles with patterns. Methods are used to " resist " or prevent the dye from reaching all the cloth, thereby creating a pattern and ground.
Rōketsuzome printing wheels at Roketsuzome Yamamoto, Kyoto. Rōketsuzome (Japanese: 蝋纈染め) sometimes shortened to rōzome (ろう染め), is a traditional wax-resist textile dyeing technique in Japan, akin to Indonesian batik.
This page was last edited on 14 January 2007, at 11:57 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.