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A socially-awkward, obsessive, or overly-intellectual person. They are often interested in doing well in school (academically and in terms of behavior). They tend to dress in unfashionable clothes. The "geek" character is similar, but may be depicted in more negative manner. Will McKenzie; Steve Urkel (Family Matters) George McFly (Back to the ...
The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". [1]
Personal embarrassment can also stem from the actions of others who place the embarrassed person in a socially awkward situation—such as a parent showing one's baby pictures to friends, having someone make a derogatory comment about one's appearance or behavior, discovering one is the victim of gossip, being rejected by another person (see ...
In the UK, the genre owes a considerable influence to "working class literature", [41] which often portrays characters trying to escape poverty by inventive means, while in the US, the genre focuses more on middle class characters trying to escape the emotional and spiritual limitations of their lifestyle.
A social thriller is a film genre using elements of suspense to augment instances of apparent oppression in society. The genre gained attention by audiences and critics around the late 2010s with the releases of Jordan Peele's Get Out and Us, [1] [2] each film highlighting occurrences of racial alienation (the former which veil a plot to abduct young African-Americans).
A Reader's Manifesto is a 2002 book by B. R. Myers [1] expanded from his essay in the July/August 2001 issue of The Atlantic Monthly magazine. [2] Myers criticized what he saw as the growing pretentiousness of contemporary American literary fiction, [3] especially in contrast to genre fiction. [4]
Social criticism can be expressed in a fictional form, e.g. in a revolutionary novel like The Iron Heel (1908) by Jack London, in dystopian novels like Aldous Huxley's Brave New World (1932), George Orwell's Nineteen Eighty-Four (1949), Ray Bradbury's Fahrenheit 451 (1953), amd Rafael Grugman's Nontraditional Love (2008), or in children's books or films.
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