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Pasolini is a 2014 English-language internationally co-produced drama film directed by Abel Ferrara and written by Maurizio Braucci about the final days of Italian film director Pier Paolo Pasolini (played by Willem Dafoe). It was selected to compete for the Golden Lion at the 71st Venice International Film Festival.
Pier Paolo Pasolini (Italian: [ˈpjɛr ˈpaːolo pazoˈliːni]; 5 March 1922 – 2 November 1975) was an Italian poet, film director, writer, actor and playwright.He is considered one of the defining public intellectuals in 20th-century Italian history, influential both as an artist and a political figure.
[4] Pasolini's father Carlo Alberto Pasolini was a lieutenant in the Italian army and had a prominent Fascist leaning. The film can be seen as a sharp rebuke of Pasolini's own father and the militaristic, bourgeois Italy he had born into. [3] Another theme is the guilt of innocence, a reversal of original sin. Oedipus is aware of a problem in ...
Pasolini stated that he decided to "remake the Gospel by analogy" and the film's sparse dialogue all comes directly from the Bible. [8] Given Pasolini's well-known reputation as an atheist, a homosexual, and a Marxist, the reverential nature of the film came as a surprise, especially after the controversy of La ricotta. At a press conference in ...
Medea is a 1969 Italian film written and directed by Pier Paolo Pasolini, based on the ancient myth of Medea.The film stars opera singer Maria Callas in her only film role and is largely a faithful portrayal of the myth of Jason and the Argonauts and the events of Euripides' play Medea.
Part of Pasolini's film was cut to make room for Guareschi in the final cut. Despite starting from opposite positions, Guareschi's and Pasolini's statements have some points of convergence, especially regarding the alienation and de-humanization in the modern world. It might even seem that both turned out to be prophetic, although in a negative ...
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Ro.Go.Pa.G. (also known as "RoGoPaG") is a 1963 film consisting of four segments, each written and directed by a different director. These include the French director Jean-Luc Godard (segment "Il nuovo mondo") and the Italian directors Ugo Gregoretti (segment "Il pollo ruspante"), Pier Paolo Pasolini (segment "La ricotta") and Roberto Rossellini (segment "Illibatezza").