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  2. The Snail - Wikipedia

    en.wikipedia.org/wiki/The_Snail

    The Snail (L'escargot) is a collage by Henri Matisse. The work was created from summer 1952 to early 1953. The work was created from summer 1952 to early 1953. It is pigmented with gouache on paper, cut and pasted onto a base layer of white paper measuring 9'4 3 ⁄ 4 " × 9' 5" (287 × 288 cm).

  3. Collage - Wikipedia

    en.wikipedia.org/wiki/Collage

    Cubomania is a collage made by cutting an image into squares which are then reassembled automatically or at random. Collages produced using a similar, or perhaps identical, method are called etrécissements by Marcel Mariën from a method first explored by Mariën. Surrealist games such as parallel collage use collective techniques of collage ...

  4. Photomontage - Wikipedia

    en.wikipedia.org/wiki/Photomontage

    20th century Xerox technology made possible the ability to copy both flat images and three-dimensional objects using the copier as a scanning camera. Such copier images could then be combined with real objects in a traditional cut-and-glue collage manner. Contemporary photograph editors in magazines now create "paste-ups" digitally.

  5. Blue Nudes - Wikipedia

    en.wikipedia.org/wiki/Blue_Nudes

    The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions.Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right.

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  7. Just what is it that makes today's homes so different, so ...

    en.wikipedia.org/wiki/Just_what_is_it_that_makes...

    The image of planet Earth at the top was cut from Life magazine (Sept 1955). [6] The original reference image for the collage from Life magazine supplied to Hamilton is in the John McHale archives at Yale University. It was one of the first images to be laid down in the collage. [6] The Victorian man in the portrait has not been identified.