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In the same key the chorus continues with a fugue "And with His stripes we are healed". The theme begins with a sequence of five long notes, which Mozart quoted in the Kyrie-fugue of his Requiem. The characteristic ascending fourth opens the countersubject. The word "healed" is later stressed by both long melismas and long notes.
Messiah or Handel: Messiah features the Mormon Tabernacle Choir with the Philadelphia Orchestra, Eugene Ormandy (conductor), Richard Condie (choir director) and soloists Eileen Farrell, Martha Lipton, Davis Cunningham and William Warfield.
5) But He was wounded for our transgressions; He was bruised for our iniquities. The chastisement of our peace was upon Him, and with His stripes we are healed. 6) All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on Him the iniquity of us all. [2]
And with his stripes we are healed (fugue chorus) All we like sheep have gone astray (duet chorus) All they that see him laugh him to scorn (secco recitative for tenor) He trusted in God that he would deliver him (fugue chorus) Thy rebuke hath broken his heart (tenor or soprano) Behold and see if there be any sorrow (tenor or soprano)
[3] [4] The imagery of shepherd and lamb features prominently in many movements, for example: in the aria "He shall feed His flock like a shepherd" (the only extended piece to talk about the Messiah on earth), in the opening of Part II ("Behold the Lamb of God"), in the chorus "All we like sheep", and in the closing chorus of the work ("Worthy ...
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The name "Stryper" derives from Isaiah 53:5, from the King James Version of the Bible. [2] " But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed."
Mozart first heard Handel's Messiah in London in 1764 or 1765, and then in Mannheim in 1777. The first performance, in English, in Germany was in 1772 in Hamburg. [1] Carl Philipp Emanuel Bach was the first to perform the oratorio in German: he presented it in 1775 in Hamburg, with a libretto translated by Friedrich Gottlieb Klopstock and Christoph Daniel Ebeling, followed by repeat ...