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The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby. Measuring 88.6 by 172.3 centimetres (34.9 in × 67.8 in), it was painted on four joined panels of oak, probably in the first decade of the 17th century.
Lily Digges by Curtois. Curtois was born at Branston in Lincolnshire and studied art at the Lincoln School of Art and also in London and in Paris at the Académie Julian. [2] [3] She exhibited at a number of London galleries including, between 1887 and 1902, at the New Gallery and also showed six works at the Royal Academy.
Discomforts of an Epicure, 1787 (image 27 x 20 cm, in mat 43 x 33 cm) [1]. This is a descriptive list of erotic etchings and drawings by Thomas Rowlandson, based upon the research of Henry Spencer Ashbee published in his three-volume bibliography of curious and uncommon books: Index Librorum Prohibitorum (1877), Centuria Librorum Absconditorum (1879) and Catena Librorum Tacendorum (1885).
A History and Guide to Collecting Ladies' Antique Skirt Lifters (with an Introduction by Tim Wonnacott). Wolds Publishing Limited. ISBN 978-0-9564724-1-0. Swift, Deborah (16 June 2014). "Skirt lifters: the Victorian war on Filth". English Historical Fiction Authors; Kotzin, Barbara (2015).
Victorian painting refers to the distinctive styles of painting in the United Kingdom during the reign of Queen Victoria (1837–1901). Victoria's early reign was characterised by rapid industrial development and social and political change, which made the United Kingdom one of the most powerful and advanced nations in the world.
[1] Whatever the name, the popular print format joined the photograph album as a fixture in the late 19th-century Victorian parlor. The reverse side of the card as seen above. Early in its introduction, the cabinet card ushered in the temporary disuse of the photographic album which had come into existence commercially with the carte de visite ...