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  2. Foley (filmmaking) - Wikipedia

    en.wikipedia.org/wiki/Foley_(filmmaking)

    An early sound effects man (center right) adding effects to a live radio play in the 1920s. He holds an effects board with which he can simulate ringing telephones and closing doors. What is now called Foley originated as adding sounds to live broadcasts of radio drama from radio studios around the world in the early 1920s.

  3. Effects unit - Wikipedia

    en.wikipedia.org/wiki/Effects_unit

    An effects unit is also called an effect box, effects device, effects processor or simply an effect. The abbreviation F/X or FX is sometimes used. A pedal-style unit may be called a stomp box, stompbox, effects pedal or pedal. Unprocessed audio coming into an effects unit is referred to as dry, while the processed audio output is referred to as ...

  4. Stomp box - Wikipedia

    en.wikipedia.org/wiki/Stomp_box

    A Peterman Bigstomp stomp box used by Bob Malone A flame maple stomp box handcrafted by Dalmedo Custom Guitars. A stomp box (or stompbox) is a percussion instrument consisting of a small box placed under the foot, which is tapped or stamped on rhythmically to produce a sound similar to that of a bass drum. A stomp box allows a performer such as ...

  5. Vibrato unit - Wikipedia

    en.wikipedia.org/wiki/Vibrato_unit

    A vibrato unit is an electronic effects unit used to add vibrato to the sound of an electric instrument, most often an electric guitar. Vibrato units may be individual stomp boxes or built into multi-effects units, but are traditionally built into guitar amplifiers. Vibrato units are particularly used in surf music.

  6. Eraserhead (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/Eraserhead_(soundtrack)

    Lynch and Splet worked "9 hours a day for 63 days" to produce the soundtrack and all of the sound effects in the film. Splet recalls the sound effects Lynch called on him to produce for Eraserhead as "snapping, humming, buzzing, banging, like lightning, shrieking, squealing” over the five years it took to produce the film and its soundtrack. [11]

  7. Frank Klepacki - Wikipedia

    en.wikipedia.org/wiki/Frank_Klepacki

    He began by writing "Stomp", an energetic rock piece intended to recreate the effect of "Hell March" for the new game. [27] Coincidentally, one of the trailers for Command and Conquer 3 featured "Stomp" as the soundtrack. Westwood instead wanted Tiberian Sun to feature darker, more moody music, and "Stomp" was shelved in favor of the current ...