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Joseph Wolf (22 January 1820 [1] – 20 April 1899) was a German artist who specialized in natural history illustration. He moved to the British Museum in 1848 and became the preferred illustrator for explorers and naturalists including David Livingstone, Alfred Russel Wallace and Henry Walter Bates.
Louis Agassiz Fuertes (February 7, 1874 – August 22, 1927) was an American ornithologist, illustrator and artist who set the rigorous and current-day standards for ornithological art and naturalist depiction and is considered one of the most prolific American bird artists, second only to his guiding professional predecessor John James Audubon.
Bosworth captures details using a view camera, and she often creates diptychs and triptychs from a set of exposures, expanding the area of her images. [13] In her series Birds and Other Angels , [ 14 ] the triptych format places her photographs of birds and humans within the wider scope of the forest surrounding them. [ 15 ]
Pencil drawings were not known before the 17th century, [1] with the modern concept of pencil drawings taking shape in the 18th and 19th centuries. [1] Pencil drawings succeeded the older metalpoint drawing stylus, which used metal instead of graphite. [1] Modern artists continue to use the graphite pencil for artworks and sketches. [1]
List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The ...
Frank Weston Benson made paintings, drawings and etchings of Wildlife.He also made portraits, waterscapes, landscapes, interiors and other works of art. Benson, an avid birdwatcher and hunter from a young age, spent nearly every non-winter weekend hunting or fishing. [1]
A drawing in pencil and ink, signed and dated 1845, shows that this work was planned before Martin decided to paint a triptych, and Martin had started work on the painting by the end of 1849. Painted in oil on canvas, it measures 196.8 centimetres (77.5 in) by 325.7 centimetres (128.2 in).
In a back-to-back article, E. Douglas Van Buren examined examples of Sumerian art, which had been excavated and provenanced and she presented examples: Ishtar with two lions, the Louvre plaque (AO 6501) of a nude, bird-footed goddess standing on two Ibexes [42] and similar plaques, and even a small haematite owl, although the owl is an isolated ...