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“In the first movie, Aquaman is this loner, a bit of a traveler, trying to find his place in the world,” Wan said. “In the second movie, he is now a king with a day job, and he has a purpose.”
Aquaman and the Lost Kingdom grossed $124.5 million in the United States and Canada, and $314.9 million in other territories, for a worldwide total of $439.4 million. [8] It became the highest-grossing DCEU film since the first Aquaman film, but it grossed less than half of that film's box office revenue. [135]
For the Chicago Tribune, Michael Phillips gave the film 1.5 stars out of four, criticizing the film's script and Wan's direction, saying, "Watching this movie is like spending two hours and 27 minutes staring at a gigantic aquarium full of digital sea creatures and actors on wires, pretending to swim."
Outside of horror, Wan directed Furious 7 (2015), the seventh installment of the Fast & Furious franchise, and the DC Extended Universe superhero films Aquaman (2018) and its sequel Aquaman and the Lost Kingdom (2023). Both Furious 7 and Aquaman grossed over $1 billion, making Wan the eighth director with two films to reach the milestone. [6]
Despite being the sequel to the biggest-ever DC movie, it was never expected that the sequel was going to come close to Aquaman's $1.14 billion haul, especially after three consecutive flops for DC.
That was the case with 2018’s “Aquaman,” which opened unspectacularly to $67 million and powered to $335 million in North America (and $1.15 billion globally). However, “Aquaman 2” faces ...