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"Smile" is a song based on the theme song used in the soundtrack for Charlie Chaplin's 1936 film Modern Times. ... also used at the beginning of the 1975 movie Smile.
A cover of this song by Jimmy Durante was also used in the trailer for the 2019 film Joker, in which the lead character also watches scenes from a showing of Modern Times after sneaking into a movie theatre. Modern Times was the first film where Chaplin's voice is heard as he performs Léo Daniderff's comical song "Je cherche après Titine".
Chaplin is the subject of a biographical film, Chaplin (1992) directed by Richard Attenborough and starring Robert Downey Jr. in the title role, with Geraldine Chaplin playing Hannah Chaplin. [506] He is also a character in the historical drama film The Cat's Meow (2001), played by Eddie Izzard , and in the made-for-television movie The ...
Jan. 9—Acclaimed violinist Philippe Quint will perform "Charlie Chaplin's Smile" with the Santa Fe Symphony on Sunday, Jan. 14. Hailed as a "classical music's superstar" by NPR, Quint will take ...
"Modern Times" is the name of a 2004 song recorded by the Californian singer J-five. Released in 2004 as the first single from his debut album Sweet Little Nothing on which it is the third track, "Modern Times" achieved a success in many European countries, topping the charts in France, traditionally a nation where Chaplin films are most popular.
The main theme, used as a leitmotif for the blind flower girl, is the song "La Violetera" ("Who'll Buy my Violets") from Spanish composer José Padilla. Chaplin lost a lawsuit to Padilla for not crediting him. City Lights was immediately successful upon release on March 7, 1931, with positive reviews and worldwide rentals of more than $4 million.
The jingles you'll never remember to forget, the cartoon characters that you'll always recognize: Whether you're a fan of McDonald's or not, it's impossible to not know (and realistically, love ...
The Movie Song Album is a 1966 studio album by Tony Bennett. [2] The album consists of songs from films, opening with the theme from The Oscar , in which Bennett had recently appeared. With this project of such high quality of song material and collaborators, he was to describe the album in his autobiography as his "all time favorite record".