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"Love in an Elevator", like the other tracks on Pump, was recorded some time in April to June 1989 at Little Mountain Sound Studios in Vancouver. The song was produced by Bruce Fairbairn and was engineered by Mike Fraser with Ken Lomas as second engineer, and in addition to Aerosmith – Steven Tyler (lead vocals), Joe Perry (guitars, backing vocals), Brad Whitford (guitars, backing vocals ...
Love in an Elevator" became the first Aerosmith song to hit number one on the Mainstream Rock Tracks chart. The album was the fourth best-selling album of the year 1990. [6] In the UK, it was the second Aerosmith album to be certified Silver (60,000 units sold) by the British Phonographic Industry, achieving this in September 1989.
Devil's Got a New Disguise: The Very Best of Aerosmith: 2006 "Don't Get Mad, Get Even" Joe Perry Steven Tyler Pump: 1989 "Don't Stop" Joe Perry Steven Tyler Jim Vallance B-side to "Livin' on the Edge" 1993 "Downtown Charlie" Aerosmith Pandora's Box: 1991 "Draw the Line" Joe Perry Steven Tyler Draw the Line: 1977 "Dream On" Steven Tyler ...
Walt Disney Imagineering worked with Aerosmith to produce a special soundtrack for the roller coaster. Each coaster train features different Aerosmith songs, some containing some new lyrics written specifically for the attraction; for example, "Love in an Elevator" is sung as "Love in a Rollercoaster". License plates and songs heard on each car:
Nine college students at University of the West of England in Bristol did what came naturally: sing Aerosmith at the top of their lungs -- because, really, what else is there to do? No, they 9 ...
Big Ones is a compilation album by American rock band Aerosmith, released on November 1, 1994 [1] by Geffen Records. Big Ones features 12 hits from the band's three consecutive multi-platinum albums, Permanent Vacation (1987), Pump (1989), and Get a Grip (1993), as well as the hit "Deuces Are Wild" from the compilation The Beavis and Butt-Head Experience (1993), and two new songs, "Blind Man ...
Though Aerosmith’s theme to 1998’s Armageddon was a smash hit, the song was not written by the boys from Boston (Steven Tyler, Joe Perry, Tom Hamilton, Brad Whitford and Joey Kramer).
The song was recorded in two parts, with the second half featuring a faux-live sound. According to Hunter, "We wanted to keep the solos equal so we'd sit down and go through the material so it was totally even. We didn't want it to look like there was a rhythm guitar player and a lead guitar player, because that's what we both did". [33]