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Taegeuk (Korean: 태극; Hanja: 太極, Korean pronunciation: [tʰɛgɯk̚]) is a Sino-Korean term meaning "supreme ultimate", although it can also be translated as "great polarity / duality / extremes". [1] [2] [3] The term and its overall concept is derived from the Chinese Taiji, popularised in the west as the Yin and Yang.
The 100 Cultural Symbols of Korea [1] [2] (Korean: 백대 민족문화상징; Hanja: 百大 民族文化象徵; RR: Baekdae Minjongmunhwasangjing; MR: Paektae Minjongmunhwasangjing) were selected by the Ministry of Culture, Sports and Tourism (at the time of selection, the Ministry of Culture and Tourism) of South Korea on 26 July 2006, judging that the Korean people are representative among ...
Hanja (Korean: 한자; Hanja: 漢字; IPA: [ha(ː)ntɕ͈a]), alternatively known as Hancha, are Chinese characters used to write the Korean language. [a] After characters were introduced to Korea to write Literary Chinese, they were adapted to write Korean as early as the Gojoseon period.
Korean calligraphy, also known as Seoye (Korean: 서예), is the Korean tradition of artistic writing. Calligraphy in Korean culture involves both Hanja (Chinese logograph) and Hangul (Korean native alphabet). Early Korean calligraphy was exclusively in Hanja, or the Chinese-based logography first used to write the Korean language.
Chinese influence on Korean culture can be traced back as early as the Goguryeo period; these influences can be demonstrated in the Goguryeo tomb mural paintings. [1]: 14 Throughout its history, Korea has been greatly influenced by Chinese culture, borrowing the written language, arts, religions, philosophy and models of government administration from China, and, in the process, transforming ...
Although the wooden type was more durable under the mechanical rigors of handling, repeated printing wore the character faces down and the types could be replaced only by carving new pieces. [1] Metal movable type was first invented in Korea c. 1230 during the Goryeo period (918–1392).
In Korea, most typefaces use the Kangxi forms. There are differences between print and script forms of many Chinese characters, just as there are differences between copperplate and most people's handwriting. Some of these differences are persistent and specific to a style, but others may be no more significant than variations between ...
According to Samguk yusa, Dangun Joseon was the first state that represented Korean cultural identity. [1] Although controversial, a legend tells that in around 1100 BC a Chinese sage named Jizi (Gija) and his intellectuals fled from the Shang dynasty to avoid political turmoil and sought asylum in Gojoseon, and active cultural trades ensued after.