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Merleau-Ponty died suddenly of a stroke in 1961 at age 53, apparently while preparing for a class on René Descartes, leaving an unfinished manuscript which was posthumously published in 1964, along with a selection of Merleau-Ponty's working notes, by Claude Lefort as The Visible and the Invisible.
Madison further stated that some commentators believed that Merleau-Ponty's thought had taken a significantly different direction in his late, unfinished work The Visible and the Invisible, edited by the philosopher Claude Lefort, while others emphasized the continuity of his work, with the issue receiving "much scholarly discussion". [14]
Phenomenological description has found widespread application within psychology and the cognitive sciences. For example, Maurice Merleau-Ponty is the first well known phenomenologist to openly mingle the results of empirical research with phenomenologically descriptive research.
This emphasis on the fundamental status of a person's pre-cognitive, practical orientation in the world, sometimes called "know-how", would be adopted by both Sartre and Merleau-Ponty. [ 45 ] While for Husserl, in the epoché, being appeared only as a correlate of consciousness, for Heidegger the pre-conscious grasp of being is the starting point.
Merleau-Ponty, inspired by Heidegger's notion of ‘being-in-the world’ from “Being and Time”, [14] sought to situate the experience of ‘being-in-the-world’ as the root of human perception and the source of objectivity. According to Merleau-Ponty, there are no objects prior to human perception of them.
Early phenomenologists such as Husserl, Jean-Paul Sartre, and Maurice Merleau-Ponty conducted philosophical investigations of consciousness in the early 20th century. Their critiques of psychologism and positivism later influenced at least two main fields of contemporary psychology: the phenomenological psychological approach of the Duquesne School (the descriptive phenomenological method in ...
Maurice Merleau-Ponty, Le visible et l’Invisible (1964). Translated by Lingis as The Visible and the Invisible (1968). Pierre Klossowski, Sade, mon prochain (1947). Translated by Lingis as Sade My Neighbor (1991).
The descriptive phenomenological method in psychology [1] [2] was developed by the American psychologist Amedeo Giorgi in the early 1970s. Giorgi based his method on principles laid out by philosophers like Edmund Husserl and Maurice Merleau-Ponty as well as what he had learned from his prior professional experience in psychophysics. [3]