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The dance has its origins in southern Tamil Nadu and is primarily performed in Madurai district, Tirunelveli district and Tiruchirapalli district. [2] It was traditionally a dance where a few men would stand in a row with two kerchiefs perform rhythmic steps to the musical accompaniment, with the number of dancers increasing; over the past ten ...
Folk dancers from Punjab performing at six-day Folk Dance Festival ‘Lok Tarang, in New Delhi on January 19, 2007. Giddha is a popular women folk dance in the Punjab region. Giddha displays a traditional mode of performing Punjabi femininity, as seen through dress, choreography, and language. [7]
One of the most striking features of Indian classical dance and dances of Thailand, [1] Cambodia, Laos, Myanmar and the Malay world is the use of hand gestures. Speaking in dance via gestures in order to convey outer events or things visually is what mudras do. To convey inner feelings, two classifications of mudras (hand or finger gesture) are ...
Giddha (Punjabi: ਗਿੱਧਾ) is a popular folk dance of women in the Punjab region. The dance is often considered derived from the ancient dance known as the ring dance and is just as energetic as bhangra; at the same time it manages to creatively display feminine grace, elegance and flexibility. It is a highly colourful dance form which ...
In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. [3] [4] The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony.
Tiglath-Pileser III [b] (Neo-Assyrian Akkadian: 𒆪𒋾𒀀𒂍𒈗𒊏, romanized: Tukultī-apil-Ešarra, [4] meaning "my trust belongs to the son of Ešarra"; [2] [c] Biblical Hebrew: תִּגְלַת פִּלְאֶסֶר , romanized: Tīglaṯ Pīlʾeser) was the king of the Neo-Assyrian Empire from 745 BC to his death in 727.
It is an Eka Patra Kelika, i.e. a solo performance by a female artist. It has been designed and is being depicted as one of the earliest female-oriented dance traditions, with a well-knit repertoire to suit the modern theatre. The distinct feature of Andhranatyam is the process that depicts the ancient tradition to suit the current stage.
Umxhentso is the traditional dancing of Xhosa people performed mostly by Amagqirha, the traditional healers/Sangoma.Ukuxhentsa-Dancing has always been a source of pride to the Xhosas as they use this type of dancing in their ceremonies.