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"I Got Rhythm" is a piece composed by George Gershwin with lyrics by Ira Gershwin and published in 1930, which became a jazz standard. Its chord progression , known as the " rhythm changes ", is the foundation for many other popular jazz tunes such as Charlie Parker 's and Dizzy Gillespie 's bebop standard "Anthropology (Thrivin' on a Riff)" .
Girl Crazy is a 1932 American pre-Code musical film adaptation of the 1930 stage play of the same name.The film was very unlike the stage play except for its score. It was tailored for the comic talents of Wheeler & Woolsey, a popular comedy team of the time.
Variations on "I Got Rhythm" is a set of variations for orchestra and piano solo composed by George Gershwin in 1933–34. The piece is dedicated "to [his] brother Ira". Gershwin composed the new piece for his forthcoming concert tour with the Leo Reisman Orchestra, as an alternative to his Rhapsody in Blue and Concerto in F.
"Cotton Tail" is a 1940 composition by Duke Ellington. [1] It is based on the rhythm changes from George Gershwin's "I Got Rhythm".The first Ellington recording (4 May 1940) [2] [3] is notable for the driving tenor saxophone solo by Ben Webster.
"She's Got the Rhythm (And I Got the Blues)" is a song written by American country music artists Alan Jackson and Randy Travis, and recorded by Jackson. It was released in October 1992 as the first single from his album A Lot About Livin' (And a Little 'bout Love). The song received an award in 1993 from Music City News for being one of the ...
"Oleo" is one of a number of jazz standards to be based on the same chord progression as that employed by George Gershwin's "I Got Rhythm", [3] also known as a musical contrafact. [4] Its melody has "become one of the standard rhythm changes melodies used by jazz musicians". [5]
Meanwhile, Sagi heads into the "America's Got Talent" finals with Rhythm on Sept. 17, hoping for victory. The winner, voted online by the general public, will be announced on the show’s ...
"Lester Leaps In" is a jazz standard originally recorded by Count Basie's Kansas City Seven in 1939. [1] The composition, credited to the group's tenor saxophone player Lester Young, is a contrafact based on the chord progression of "I Got Rhythm", and serves as a vehicle for interweaving solos by Young and Basie.