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The art of the Middle Ages was mainly religious, reflecting the relationship between God and man, created in His image. The animal often appears confronted or dominated by man, but a second current of thought stemming from Saint Paul and Aristotle, which developed from the 12th century onwards, includes animals and humans in the same community of living creatures.
In painting, symbolism was a fantastic and dreamlike style that emerged as a reaction to the naturalism of the realist painting and Impressionist trends, whose objectivity and detailed description of reality were opposed by subjectivity and the depiction of the occult and the irrational, as opposed to representation, evocation, or suggestion ...
Probably one of the most famous depictions of an animal in the history of European art is the painting Young Hare by Albrecht Dürer, completed in 1502 and now preserved in the Albertina in Vienna. Dürer's watercolor is seen in the context of his other nature studies, such as his almost equally famous Meadow or his Bird Wings.
Paintings of the Symbolism movement — an very early Modern art movement of the late 19th century. Subcategories This category has the following 5 subcategories, out of 5 total.
An example of a dog representing marital fidelity is present in Jan van Eyck's Arnolfini Portrait. An oil painting on oak panel dated 1434 by the Early Netherlandish painter Jan van Eyck , it is a small full-length double portrait, [ 13 ] which is believed to represent the Italian merchant Giovanni di Nicolao Arnolfini and his wife, [ 14 ...
Printable version; In other projects ... Animal paintings (2 C, 44 P) R. Reptiles in art (6 C, ... Media in category "Animals in art"
However, exotic animals, which were difficult to observe, were in part imagined by the painter: La Chaste au tigre (The Tiger Hunt), a Baroque painting by Rubens depicting a hunt for big cats, including lions, is a work that was partly imagined by the painter; the composition of the picture, however, allowed realism to be breathed into these ...
Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.