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Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...
Guitarists often use the technique to play arpeggios at high speed. A common fretting shape is the one- or two-octave stacked triad. In scalar terms, this is the first , third and fifth of a scale, played twice, with an additional tonic added at the high end. For example, an A minor stacked triad is A-C-E-A-C-E-A.
Spiccato - Technique that uses a bowing style that leaves the string clearly to produce a light "bouncing" sound. Despite major misconceptions, violinists play this technique with a horizontal stroke; the "bouncing" motion is only due to the natural resistance of the violin string, resistance of the bow hair, and light weight of the stroke.
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The technique of changing the note (pitch) of a syllable of text while it is being sung meno Less; see mosso, for example, meno mosso messa di voce In singing, a controlled swell (i.e. crescendo then diminuendo, on a long held note, especially in Baroque music and in the bel canto period) [1] mesto Mournful, sad meter or metre
Fingerstyle guitar. Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick").
Free-stroke is mainly used in arpeggio ("broken-chord") playing. They are often combined to provide contrasting voices, between melody and harmony. "Rest-stroke on the melody" is a common approach to balancing the voices. One of the tenets of right-hand technique in melody playing is strict alternation of i and m.
Arpeggios are revealed in two octaves. The starting note of an ascending arpeggio is either a note on the 6th string or a note on the 5th string, each voicing spanning five strings. The arpeggiated voicing is equivalent to the closed voicing on the piano. There is a close relationship between Wayne's chord system and his arpeggio forms.