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After placing the iron-on transfer on the fabric and pressing with an iron or a heat press, the image is transferred to the fabric. There are two primary types of iron-on transfer inks: plastisol-type and sublimation-type. Plastisol-type inks are thick with a lacquer base. Transfers made with plastisol-type inks will result in a flexible image ...
Transfer printing could be supplemented with colour added by hand, or gilding, and this technique was used from early on. The use of multiple transfers, each with a different colour, was introduced quite early when different areas were printed in each colour, for example, a plate with the centre in one colour, and the border in another.
He also revived the art of hand-knotting for making small carpets. [12] In the 1880s, in addition to the Hammersmith carpets, Morris created series of designs for machine-made Axminster and Kidderminister carpets, made at the Wilton factory or at Heckmondwike Manufacturing company in Yorkshire. Many of the carpets he designed used the patterns ...
An embroidered patch, also known as a cloth badge, is a piece of embroidery which is created by using a fabric backing and thread. The art of making embroidered patches is an old tradition and was done by hand. During the first half of the twentieth century they were commonly embroidered using a shiffli embroidery machine.
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Mountmellick embroidery uses predominantly knotted and padded stitches to create beautifully textured whitework embroidery. [2] The work features a characteristic knitted fringe. Other forms of lace , such as crochet or bobbin lace are not authentic trims for Mountmellick work.