Ads
related to: rembrandt last supper chalk painting
Search results
Results From The WOW.Com Content Network
The drawing is related to the painting W110 : The Last Supper, after Leonardo da Vinci: 1634–1635: Red chalk: 36.2 x 47.5 cm: Metropolitan Museum of Art, New York: Inscribed Rembrandt f. Two Butchers at Work: 1635: Pen and bistre: 14.9 x 20 cm: Städel, Frankfurt am Main: Inscribed t vel daer aen ende voorts de rest bysleepende
Rembrandt and/or workshop. Companion piece to 133b. The painting suffered severely when it was transferred from panel to canvas in 1929 and also from overcleaning. Originally rectangular and possibly also larger below Portrait of a Young Woman: 1635: Oil on panel: 78 x 65: Cleveland Museum of Art: 133b: Rembrandt and mainly workshop. Companion ...
The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
A painting valued at $15,000 just two years ago fetched almost £11 million ($13.8 million) at a Sotheby’s auction on Wednesday after being identified as the work of the Dutch master Rembrandt.
A painting valued at $15,000 just two years ago is now expected to fetch up to $18 million at auction after being identified as the work of the Dutch master Rembrandt. “The Adoration of the ...
The Last Supper (Nolde) Conservation-restoration of Leonardo da Vinci's The Last Supper; The Last Supper (Leonardo) Life of Christ (Giotto)
"The person who bought the painting for $1.4 million already got a great bargain," Mark Winter, an authentication expert, tells the Times. "We don't discover new paintings by Rembrandt every day."
The drawing is estimated to have been drawn c. 1510, possibly as a self-portrait by Leonardo da Vinci.In 1839, it was acquired by King Carlo Alberto of Savoy. [2] The assumption that the drawing is a self-portrait of Leonardo was made in the 19th century, based on the similarity of the sitter to the possible portrait of Leonardo as Plato in Raphael's The School of Athens [2] and on the high ...