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While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
A big band or jazz orchestra is a type of musical ensemble of jazz music that usually consists of ten or more musicians with four sections: saxophones, trumpets, trombones, and a rhythm section. Big bands originated during the early 1910s and dominated jazz in the early 1940s when swing was most popular. The term "big band" is also used to ...
The band contributes vocals with Miller and MacGregor. The song was arranged by Miller. [31] Belgian bandleader Emile Deltour, under the pseudonym Eddie Tower, recorded a version on November 10, 1940, which was released as a Telefunken 78 single, A10232. [Best of Big Bands: Evolution of a Band, Glenn Miller, Sony, 1992.]
The Big Band Reader: Songs Favored by Swing Era Orchestras and Other Popular Ensembles. Haworth Press. ISBN 978-0-7890-0914-2. Studwell, William Emmett (1994). The Popular Song Reader: A Sampler of Well-Known Twentieth-Century Songs. Routledge. pp. 56–57. ISBN 978-1-56024-369-4. Sudhalter, Richard M. (2003).
Toshiko Akiyoshi (born 1929) (Toshiko Akiyoshi – Lew Tabackin Big Band) Ray Anthony (born 1922) Lil Hardin Armstrong (1898-1971) Georgie Auld (1919-1990) (Georgie Auld and His Orchestra, Georgie Auld and His Hollywood All Stars)
Though some big bands survived through the late 1940s (Duke Ellington, Count Basie, Stan Kenton, Boyd Raeburn, Woody Herman), most of their competitors were forced to disband, bringing the swing era to a close. Big-band jazz would experience a resurgence starting in the mid-1950s, but it would never attain the same popularity as it had during ...
Musical groups from the Big Band era of swing and beyond. Subcategories. This category has the following 9 subcategories, out of 9 total. ... Pages in category "Big ...
In China, the 1940s was the golden era of Mandarin pop songs which were collectively termed 'Shidaiqu', literally "songs of the era". Shanghai Pathe Records, then belonging to EMI, emerged to be the leading record company in China and featured a blend of Chinese melodies and western orchestrations as well as Big Band Jazz elements in ...