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The rhythm is greatly influenced by the rhythm and meter of Persian poetry. The instrumental and vocal radif is different from the rhythmical point of view; however, their melodic structures are the same. The radifs for tar are one of the most famous radifs associated, with many old melodies collected that include 20–40 goushehs in each dastgāh.
Bayat-e Esfahan (Persian: بیات اصفهان) is one of melodic pieces of Iranian traditional music, known as a branch of Dastgah-e Shur or Dastgah-e Homayun. Some musical theorists consider the Bayat-e Esfahan an independent dastgah within the Persian radif system.
Persian musical instruments or Iranian musical instruments can be broadly classified into three categories: classical, Western and folk. Most of Persian musical instruments spread in the former Persian Empires states all over the Middle East , Caucasus , Central Asia and through adaptation, relations, and trade, in Europe and far regions of Asia .
A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
Faramarz Assef (Persian: فرامرز آصف; born 27 October 1950 in Abadan, Iran) is an Iranian music artist and former long and triple jumper who won a bronze medal at the 1974 Asian Games in Tehran in triple jump. [1]
Dastgāh-e Šur (Persian: دستگاه شور; Azerbaijani: Şur) is one of the seven Dastgāhs of Persian Music (Classically, Persian Music is organized into seven Dastgāhs and five Āvāzes, however from a merely technical point of view, one can consider them as an ensemble of 12 Dastgāhs).
He studied several Iranian and non-Iranic musical instruments and became an Ostad in Radif, but he selected violin and setar as his specific instruments. He was a student of Mirza Abdollah as well as Darvish Khan. [1] Saba is one of Iran's most influential traditional and instrumental Persian music figures.
Dastgāh (/ d æ s t ˈ ɡ ɑː /; Persian: دستگاه, Classical: [dastˈɡɑːh], Iran: [dæstˈɡɒː(h)]) is the standard musical system in Persian art music, standardised in the 19th century following the transition of Persian music from the Maqam modal system. A dastgāh consists of a collection of musical melodies, gushehs.