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Marvin Gaye's Greatest Hits is a compilation album released by American R&B/soul singer and Motown legend Marvin Gaye, released on the Motown label in 1976 on LP and 1987 on CD.
Greatest Hits is a 1964 greatest hits album, the first for American R&B-soul singer Marvin Gaye, released on the Tamla label. [1] Released during Gaye's first period of success, it was also his first charted album as a solo artist after making his album chart debut with the Mary Wells duet album, Together, the same year.
Marvin Pentz Gaye Jr. (né Gay; April 2, 1939 – April 1, 1984) [1] was an American singer-songwriter and musician. He helped shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, which earned him the nicknames "Prince of Motown" and "Prince of Soul".
The artists of the 1970s produced so many chart-topping hits we compiled a list. It includes bands and singers such as Stevie Wonder, ABBA, and Redbone. ... "What's Going On" by Marvin Gaye (1971 ...
The duet was a European hit, peaking at No. 1 in Denmark. It also reached No. 5 in the UK and was a Top 10 single in several European countries. The song later appeared on both artists' greatest hits albums: Turner's Simply the Best (1991), and Stewart's The Very Best of Rod Stewart (2001).
Released in the US in 2001, the two disc edition is a chronological look back at American R&B/soul singer Marvin Gaye's three decade-plus music career throughout his tenure in Motown Records in the 1960s and 1970s concluding with his final big hit, 1982's "Sexual Healing" from his brief tenure with Columbia Records before the singer's death in ...
Greatest Hits: 72 — — — 1967 Greatest Hits, Vol. 2: 178: 19 — 40 1969 Marvin Gaye and His Girls: 183: 16 — — 1970 Super Hits: 117: 19 — — Greatest Hits (with Tammi Terrell) 171: 17 — 60 1974 Anthology: 61: 10: 64 — 1976 Marvin Gaye's Greatest Hits: 44: 17 — — US: Platinum [15] The Best of Marvin Gaye — — — 56 ...
Marvin Gaye wanted to make a social-political statement. He didn’t want to issue more love songs, stylistically dictated by Berry Gordy/Motown. He wanted to join his peers in the movement of ...