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F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...
These include, in addition to the "simple" scales of the first tutorial: forms derived from scales (chords incorporated into scales); chromatic "sliding-finger" (or "sixth-finger") technique; repeated notes; arpeggios and broken chords; examples of "three-hands"; trills; examples with arpeggios; and further examples of "three hands."
Chopin [in other works] rarely treats the left hand "as if it were a second right hand." [16] Chopin's zigzag configuration of the semiquaver line hardly allows usage of the standard C ♯ minor scale fingering and invites pianists to use their thumb on black keys, treating them just like white ones. The result is a general absence of finger ...
Musicologist Hugo Leichtentritt (1874–1951) calls the étude a "moto perpetuo". [10] The transparent texture of nonstop semiquavers accompanied by a light "dancing" bass has its forerunners in Bach's Prelude No. 5 in D major (BWV 850) from the first book of The Well-Tempered Clavier and resembles other virtuoso pieces from around 1830 such as Paganini's Moto Perpetuo for violin and piano.
24 Preludes and Scales piano 1855 C5* [y] [71] Charles-Valentin Alkan: 12 Études in all the minor keys, Op. 39 piano 1857 [aq] These complete the sequence that was started with the 12 Études in all the major keys, Op. 35. Études 4–7 comprise the Symphony for Solo Piano, and Études 8–10 make up the Concerto for Solo Piano. Carl Czerny
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Left-hand pizzicato or Stopped note A note on a stringed instrument where the string is plucked with the left hand (the hand that usually stops the strings) rather than bowed. On the horn, this accent indicates a "stopped note" (a note played with the stopping hand shoved further into the bell of the horn). In percussion this notation denotes ...
Fantasie in F-sharp minor, Op. 28, by Felix Mendelssohn, is a work composed for piano in three movements to be played without pause. This work was also known as Sonata écossaise (Scottish Sonata). First an Allegro in F-sharp minor in a loose sonata form, then an Allegro con moto in A major, and third a finale in F-sharp minor, in sonata form ...