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Ute music constitutes the music of the Indigenous Northern American Ute tribe. Much of this music has been recorded and preserved. Each song of the Ute tribe has a meaning or is based on an experience. These experiences may be social, religious or emotional. Many Ute songs are social songs.
Raymond Carlos Nakai (born April 16, 1946) is a Native American flutist of Navajo and Ute heritage. Nakai played brass instruments in high school and college, and auditioned for the Armed Forces School of Music after a two-year period in the United States Navy.
The Tabeguache (Ute language: Tavi'wachi Núuchi, Taveewach, Taviwach, and Taviwac), [2] or “People of Sun Mountain,” was the largest of the ten nomadic bands of the Ute and part of the Northern Ute People. [3] They lived in river valleys of the Gunnison River and Uncompahgre River [4] between the Parianuche to the north and the Weeminuche ...
The name "Comanche" is from the Ute word for them, kɨmantsi, meaning enemy. [45] The Pawnee, Osage and Navajo also became enemies of the Plains Indians by about 1840. [46] Some Ute bands fought against the Spanish and Pueblos with the Jicarilla Apache and the Comanche. The Ute were sometimes friendly but sometimes hostile to the Navajo. [15]
Peyote songs began with the blend of the Ute music style with Navajo singing. [1] Ed Tiendle Yeahquo composed over 120 peyote songs, many are still sung in NAC today. Vocal style, melodic contour, and rhythm in Peyote songs is closer to Apache than Plains, featuring only two durational values, predominating thirds and fifths of Apache music with the tile-type melodic contour, incomplete ...
Composers of the lute song usually composed other forms of music as well such as madrigals, chansons, and consort songs. The consort song, popular in England, is considered to be closely related to the lute song. This was an earlier strophic form of music that was for a solo voice accompanied by a small group of string instruments. [1]
The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. [3] During the Baroque music era, the lute was used as one of the instruments that played the basso continuo accompaniment parts.
The oud (Arabic: عود, romanized: ʿūd, pronounced) [1] [2] [3] is a Middle Eastern short-neck lute-type, pear-shaped, fretless stringed instrument [4] (a chordophone in the Hornbostel–Sachs classification of instruments), usually with 11 strings grouped in six courses, but some models have five or seven courses, with 10 or 13 strings respectively.