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Mardi Gras papier-mâché masks, Haiti. Papier-mâché (UK: / ˌ p æ p i eɪ ˈ m æ ʃ eɪ / PAP-ee-ay MASH-ay, US: / ˌ p eɪ p ər m ə ˈ ʃ eɪ / PAY-pər mə-SHAY, French: [papje mɑʃe] - the French term "mâché" here means "crushed and ground" [1]) is a versatile craft technique with roots in ancient China, in which waste paper is shredded and mixed with water and a binder to produce ...
Brown craft paper is used as a final layer for taka made for export. This provides a thicker base and smoother finish for the craft. Taka is also painted. The traditional way of painting a taka is to use primary colors, add simple flower motifs and use repetitive lines and shapes.
[1] [3] The paper and cardboard used is mostly waste paper, such as old newspapers and boxes, with decorative elements, such as crepe paper being new. [2] [5] Most shapes are created with molds, then painted with acrylics. [5] Most of the production since colonial times has followed the annual calendar of religious and civic events.
Cover three boxes — two shoe boxes, one rectangular-shaped box — with craft paper, then add eyes, ears, spots and a mane until it resembles the ones on the barn. Ian Palmer for Country Living ...
The papier-mâché technique of using paper pulp for making decorative objects was first brought to Kashmir in the 14th century by Mir Sayyid Ali Hamadani, a Sufi mystic, who arrived to Kashmir along with his followers, many of whom were craftsmen. These craftsmen used hand-made paper pulp from Iran and Central Asia. [2]
Since the 1990s, there have been efforts by the government to revitalize the craft. One of these was the Jugar a las Muñecas. De las Lupes a las Robóticas project managed by artist María Eugenia Chellet from 1991 to 2008. It worked to create innovation in the dolls, creating images from mass media, the circus, harlequins, and animal/human ...