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"Revolution" is a song by the English rock band the Beatles, written by John Lennon and credited to the Lennon–McCartney partnership. Three versions of the song were recorded and released in 1968, all during sessions for the Beatles' self-titled double album, also known as the "White Album": a slow, bluesy arrangement ("Revolution 1") included on the album; an abstract sound collage (titled ...
Kurt Hoffman's Band of Weeds performs "Revolution #9" on the 1992 album Live at the Knitting Factory: Downtown Does the Beatles (Knitting Factory Records). [56] The jam band Phish performed "Revolution 9" (along with almost all of the songs from The Beatles) at their Halloween 1994 concert that was released in 2002 as Live Phish Volume 13. [57]
The book's main section comprises entries on every song recorded by the group, in order of first recording date, rather than date of release. [1] Each entry includes a list of the musicians and instruments present on the track, the song's producers and engineers, and the dates of its recording sessions and its first UK and US releases.
‘Revolution 1’ Another track from 1968’s The Beatles, “Revolution” was the subject of three different versions.There was the uptempo one that was released as a single, there was the most ...
John Lennon's Revolution was panned by the radical media as a 'petty bourgeois cry of fear' in 1968. Then, in 1987 it was claimed by Nike to be the controversial soundtrack of its most seminal advert.
Townshend produced the single, [7] arranged the strings, and played bass under the pseudonym Bijou Drains. [8] Originally titled "Revolution" but later renamed to avoid confusion with the Beatles' 1968 song of the same name, "Something in the Air" captured post-flower power rebellion, combining McCulloch's acoustic and electric guitars, Keen's drumming and falsetto vocals, and Newman's piano solo.
This stance was heightened in Freeman's cover portrait for Beatles for Sale, [438] which departed further from the standard pop LP by reducing the album title to minuscule type and otherwise making no mention of the band's name. [439] According to Schaffner, each Beatles LP cover represented a "revolution in artwork" starting with Rubber Soul ...
“The new Beatles song sounds like a 90s power pop band trying to sound like the Beatles,” music critic and Uproxx writer Steven Hyden commented. This article was originally published on TODAY.com.