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  2. Incredibox - Wikipedia

    en.wikipedia.org/wiki/Incredibox

    Incredibox (also stylized as INCREDiBOX or incredibox) is a beatboxing-based music video game created, developed, and published by the French company So Far So Good (SFSG). The concept of the game is users dragging and dropping sound icons on different characters to make music.

  3. Wolfgang Voigt - Wikipedia

    en.wikipedia.org/wiki/Wolfgang_Voigt

    Wolfgang Voigt (born 1961) is a German electronic music DJ and producer from Cologne, known for his output under various aliases, such as Gas. He signed on numerous record labels, including Warp, Harvest, Raster-Noton, Force Inc, Astral Industries and Kompakt. The latter was co-founded by Voigt [1] alongside Michael Mayer and Jürgen Paape. [2]

  4. Wolfgang Novogratz - Wikipedia

    en.wikipedia.org/wiki/Wolfgang_Novogratz

    Wolfgang Francis Novogratz (born May 9, 1997) [2] is an American actor and model. [ 3 ] [ 4 ] He has appeared in the Netflix films Sierra Burgess Is a Loser (2018), The Last Summer (2019), The Half of It (2020) and Feel the Beat (2020). [ 5 ]

  5. Wolfgang (song) - Wikipedia

    en.wikipedia.org/wiki/Wolfgang_(song)

    "Wolfgang" (stylized in all caps) is a song recorded by South Korean boy band Stray Kids. It was released on May 28, 2021, through Stone Music Entertainment and distributed by Genie Music from the extended play Kingdom <Final: Who Is the King?> .

  6. Pauli–Villars regularization - Wikipedia

    en.wikipedia.org/wiki/Pauli–Villars_regularization

    Wolfgang Pauli and Felix Villars published the method in 1949, based on earlier work by Richard Feynman, Ernst Stueckelberg and Dominique Rivier. [ 1 ] In this treatment, a divergence arising from a loop integral (such as vacuum polarization or electron self-energy ) is modulated by a spectrum of auxiliary particles added to the Lagrangian or ...

  7. Symphony No. 35 (Mozart) - Wikipedia

    en.wikipedia.org/wiki/Symphony_No._35_(Mozart)

    The Haffner Symphony is in the key of D major. [16] Mozart's choice of key for the Haffner Symphony is interesting, according to Cuyler, because "the key of D major, which was so felicitous for the winds, served Mozart more often than any other key, even C, for his symphonies", [17] including the Paris (No. 31) and Prague (No. 38) symphonies.