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The song is an ode to a girl on her 16th birthday, and it’s one of the most recognizable tracks of the doo-wop era. The 1984 John Hughes movie Sixteen Candles was reportedly taken from the song ...
I Need You (Paris Hilton song) I Really Love You; I Want You (Janet Jackson song) I Won't Say (I'm in Love) I Wonder Why; I'm on the Outside (Looking In) I'm So Young; In My Room; In the Still of the Night (The Five Satins song) It's Still Rock and Roll to Me; It's Too Late (Carole King song) It's Too Soon to Know
[4] [5] The song reached number one on the R&B/Hip-Hop Airplay chart, and surpassed 50 million audience listeners on radio, which was a record at the time for a hip hop song. Critically acclaimed, "Doo Wop (That Thing)" was named the best single of the year by Rolling Stone. [6]
"Bad Girl" has since become a doo-wop classic and was named one of the 100 Greatest Doo-Wop Songs of All Time by Doo Wop Nation. [2] It appears on several Miracles' compilations, including Greatest Hits from the Beginning. The song was also performed by the group on their final live album, 1957–1972.
Although none of their original records made the charts, several of their songs have gained recognition over the years and have been included in anthologies such as 25 All-Time Doo-Wop Hits, The Best of Doo-Wop, Doo-Wop Classics, Doo-Wop Treasures, Only the Best of Old Town Records, and Rhino's Doo-Wop Box. [23]
"In the Still of the Night" is one of two songs that may lay claim to being the origin of the term doo-wop. The plaintive doo wop, doo wah refrain in the bridge has often been suggested as the origin of the term to describe that musical genre. The other contender for the honor is "When You Dance" by the Turbans, in which the chant "doo-wop" can ...
The song appeared originally on the group's second 45rpm single, "The Wind" b/w "Baby Be Mine" (Fortune Records). [1] The lyrics describe a man who feels the summer wind blow as he thinks about a lover who left him. [2] In 2007, The Metro Times listed "The Wind" at no. 11 in The 100 Greatest Detroit Songs list - which was the November 11 cover ...
Such composers as Rodgers and Hart (in their 1934 song "Blue Moon"), and Hoagy Carmichael and Frank Loesser (in their 1938 "Heart and Soul") used a I–vi–ii–V-loop chord progression in those hit songs; composers of doo-wop songs varied this slightly but significantly to the chord progression I–vi–IV–V, so influential that it is sometimes referred to as the '50s progression.