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Jeanne Baxtresser (born August 2, 1947) is an American flutist and teacher. She is most notable for her position as principal flutist of the New York Philharmonic for over 15 years, she decided to play the flute when she was only nine years old, as an author (Orchestral Excerpts for Flute with Piano Accompaniment), and as a professor and master teacher.
A dynamic accent or stress accent is an emphasis using louder sound or stronger sound; typically, most pronounced on the attack of the sound. A tonic accent is an emphasis on notes by virtue of them being higher in pitch, as opposed to higher in volume. [1] An agogic accent is an emphasis by virtue of notes being longer in duration.
A Flute method is a type of specific textbook-style pedagogy for learning to play the flute. It often contains fingering charts, scales , exercises, and occasionally etudes . These exercises are often presented in different keys in ascending order to aid in difficulty, known as methodical progression, or to focus on isolated aspects like ...
Trevor Wye (born 6 June 1935) is a professional English flautist, flute instructor, and author of books about flute playing. [citation needed].He was a founder of the British Flute Society and International Summer School for flute, serving as director of the latter from 1969 to 1988.
He was the opening soloist at the third International Spanish Flute Convention "Gala concert" in Seville 2014. [ 4 ] Eustache was a featured soloist with the wind ensemble of Samford University , under the baton of soloist and conductor Demondrae Thurman, Birmingham Alabama, Oct. 2014. [ 5 ]
Mozart's Flute Quartet No.1 in D Major, K. 285 is written for flute, violin, viola and cello. It is the first of three quartets written in Mannheim, Germany at the request of Ferdinand De Jean who was introduced to Mozart by Christian Cannabich.
The Fantaisie was commissioned by and dedicated to Paul Taffanel in 1898 for the "Concours de flute", a flute competition held by the Conservatoire de Paris.Taffanel, who took over a flute class in 1893, regularly commissioned new compositions for the annual competition, and over time amassed a whole repertoire of technically challenging pieces suitable for the Conservatoire's requirements. [3]
Taffanel came at a crucial moment in the flute's history, after Theobald Boehm had completely remodeled the instrument. He proved the flute fully capable of elegance and extreme expressiveness. At the same time, the credo later advocated by the French Flute School that tone quality was more important than loudness did not always hold true for ...