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Hundreds of companies produced all kinds of pottery, from tablewares and decorative pieces to industrial items. The main pottery types of earthenware, stoneware and porcelain were all made in large quantities, and the Staffordshire industry was a major innovator in developing new varieties of ceramic bodies such as bone china and jasperware, as well as pioneering transfer printing and other ...
One of the four local authority museums in the city, the other three being Gladstone Pottery Museum, Ford Green Hall and Etruria Industrial Museum, The Potteries Museum & Art Gallery houses collections that bring together the identities that went into forming the area known as the Potteries. The museum holds a collection of Staffordshire ceramics.
Staffordshire figures are a type of popular pottery figurine made in England from the 18th century onward. Many Staffordshire figures made from 1740 to 1900 were produced by small potteries and makers' marks are generally absent.
A 20th century version of The Willow Pattern, a typical Staffordshire Potteries product in blue and white transfer printed earthenware. Thomas Minton (1765–1836) was an English potter. He founded Thomas Minton & Sons in Stoke-on-Trent, Staffordshire, which grew into a major ceramic manufacturing company with an international reputation.
Josiah Spode was born in Lane Delph, Fenton, Staffordshire.Spode was a pauper's son and also a pauper's orphan at the age of six. In 1745 his elder sister Ann married Ambrose Gallimore, [1] who in 1754 obtained the lease of the Caughley porcelain factory near Broseley.
William Greatbatch (circa 1735 - 29 April 1813 [1]) was a noted potter at Fenton, Staffordshire, from the mid-eighteenth to the beginning of the nineteenth centuries. Fenton was one of the six towns of the Staffordshire Potteries, which were joined in the early 20th century to become the city of Stoke-on-Trent in Staffordshire, England.
The Gladstone Pottery Museum is a working museum of a medium-sized coal-fired pottery, typical of those once common in the North Staffordshire area of England from the time of the Industrial Revolution in the 18th century to the mid 20th century. It is a grade II* listed building. [1] The museum is located in Longton, Stoke-on-Trent, Staffordshire.
In 1985, a series of pieces were produced under the title The Bizarre Collection, with the mark for the "Royal Staffordshire Pottery by Clarice Cliff", and marketed by the Midwinter pottery. The three principal designs produced were Honolulu on a 12-inch Mei Ping vase, Summerhouse on a 13-inch wall plate and a striking version of Umbrellas and ...