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Cariñosa or Karinyosa is a well known dance around the Philippines with the meaning of the word being affectionate, lovable, and amiable. The dancers use a handkerchief and go through the motions of hide and seek or typical flirtatious and affectionate movements. The dance comes in many forms but the hide and seek is common in all. [31] Kuratsa
SOP premiered on February 2, 1997, live from the GMA Broadway Studios. Regular dancers included the VIP Dancers, Universal Motion Dancers, Abstract Dancers and Kidz at Work; with Al Quinn as the director and German Moreno as a production consultant.
Ballet Manila is a classical ballet institution [1] and dance company in the Philippines. It currently [when?] highlights more than fifty highly trained dancers in the highly rigorous Russian (Vaganova) [1] method of classical ballet. Locally the company has performed in 47 cities [1] holding more than 4,100 [1] performances.
The Buff-banded rail (Gallirallus philippensis), one of the birds locally known in the Philippines as tikling, which were the inspiration for the movements of the dance. The name tinikling is a reference to birds locally known as tikling, which can be any of a number of rail species, but more specifically refers to the slaty-breasted rail (Gallirallus striatus), the buff-banded rail ...
Alice Garcia Reyes (born October 14, 1942) [1] [2] is a Filipina dancer, choreographer, teacher, director and producer. The founder (together with Eddie Elejar) of Ballet Philippines, she received since June 20, 2014 from the Philippine President Benigno Aquino III the highest award in the Arts, National Artist of the Philippines. [3]
The Philippine Ballet Theatre pursues the goal of bringing the art of dance to the general appreciation of Filipino audiences. With its concurrent preservation of the classical story ballets, [2] such as Swan Lake, Giselle, The Nutcracker, and Raymonda, the theatre also launches contemporary ballets like Carmina Burana [3] by David Campos. The ...
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Singkil is an ethnic dance of the Philippines that has its origins in the Maranao people of Lake Lanao, a Mindanao Muslim ethnolinguistic group.The dance is widely recognized today as the royal dance of a prince and a princess weaving in and out of crisscrossed bamboo poles clapped in syncopated rhythm.