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The Gospel of John [269] emphasizes the special role of Mary Magdalene. She is the first to meet the Risen Christ. [...] Hence she came to be called "the apostle of the Apostles". Mary Magdalene was the first eyewitness of the Risen Christ, and for this reason she was also the first to bear witness to him before the Apostles.
Jewish women disciples, including Mary Magdalene, Joanna, and Susanna, had accompanied Jesus during his ministry and supported him out of their private means. [2] Although the details of these gospel stories may be questioned, in general they reflect the prominent historical roles women played as disciples in Jesus' ministry.
Mark Adamo's 2013 opera The Gospel of Mary Magdalene is based largely on the Gospel of Mary and the Gospel of John. The libretto also includes quotes from the Gospel of Thomas, Pistis Sophia and the Gospel of Philip. [30] A forgery of the Gospel of Mary Magdalene appears in the X-Files episode "Hollywood A.D."
Mary Magdalene, Mary the mother of James, and Salome go to the tomb, where the stone has been rolled away. [1] Mary Magdalene and "the other Mary" go to the tomb. [2] "The women who had come with him from Galilee" [3] find the stone rolled away and the tomb empty. [4] Mary Magdalene goes to the tomb and finds the stone removed. [5]
Gospel of Mary: 2nd c. Dialogue of Mary Magdalene with the apostles, and her vision of Jesus' secret teachings. It was originally written in Greek and is often interpreted as a Gnostic text. It is typically not considered a gospel by scholars since it does not focus on the life of Jesus. [117] Gospel of the Nazareans: Early 2nd c.
Mary Magdalene; Mary of Clopas; Mary Salome; The other gospels give various indications about the number and identity of women visiting the tomb: John 20:1 mentions only Mary Magdalene, but has her use the plural, saying: "We do not know where they have laid him" . Matthew 28:1 says that Mary Magdalene and "the other Mary" went to see the tomb.
R. Schnackenburg suggested that "John" was an otherwise unknown resident of Jerusalem who was in Jesus' circle of friends. The Gospel of Philip and the Gospel of Mary identify Mary Magdalene as the disciple whom Jesus loved, a connection that has been analyzed by Esther de Boer [58] and made notorious in the fictional The Da Vinci Code.
In particular, the artist and critic Alexandre Benois wrote in his book 'History of Russian Painting in the 19th Century' that Ivanov's painting Christ's Appearance to Mary Magdalene "really showed all his [the artist's] skill in nudity and draperies, it eminates icy cold." In Benois's words, "the Torvaldsen Christ, pacing in a frozen ...