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The outsides, which often received considerable wear from travelling, might have simpler decorative designs, including the coat of arms of the owner. Large altarpieces tended to be made in triptych form, with two outer panels that could be closed across the main central representation.
Evelyn Ann Silber (born 22 May 1949) is an English art historian and an acknowledged specialist on 20th century British sculpture. She is an honorary Professorial Research Fellow at the University of Glasgow and is researching the marketing of modernist art in early 20th century London and the role played by dealers. [1]
The earliest group of survivals, now re-arranged and with the precious metal thread mostly picked out, are bands or borders from vestments, incorporating pearls and glass beads, with various types of scroll and animal decoration. These are probably 9th century and now in a church in Maaseik in Belgium. [8]
Restoration work was halted, and after examinations conducted by the Shaki archaeological expedition, a grave was found in that part. The discovery of 52 beads and a decorative bead cap in the grave suggested the possibility that the buried person held high religious or state status. [16]
A dado rail, also known as a chair rail or surbase, [1] is a type of moulding fixed horizontally to the wall around the perimeter of a room. The dado rail is traditionally part of the dado or wainscot and, although the purpose of the dado is mainly aesthetic, the dado rail may provide the wall with protection from furniture and other contact.
Shoulder-clasps from Sutton Hoo, early 7th century 11th century walrus ivory cross reliquary (Victoria & Albert Museum). Anglo-Saxon art covers art produced within the Anglo-Saxon period of English history, beginning with the Migration period style that the Anglo-Saxons brought with them from the continent in the 5th century, and ending in 1066 with the Norman Conquest of England, whose ...