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The term "Mannerist" was redefined in 1967 by John Shearman [14] following the exhibition of Mannerist paintings organised by Fritz Grossmann at Manchester City Art Gallery in 1965. [15] Yet historians differ as to whether Mannerism is a style, a movement, or a period. Some authors have called it the "Late Renaissance". [16]
Movement. Mannerism. Jacopo Carucci or Carrucci (IPA: [ˈjaːkopo ka (r)ˈruttʃi]; May 24, 1494 – January 2, 1557), usually known as Jacopo (da) Pontormo or simply Pontormo (IPA: [ponˈtormo]), was an Italian Mannerist painter and portraitist from the Florentine School. His work represents a profound stylistic shift from the calm ...
The style bore no relation to Italian Mannerism, which it mostly predates by a few years, but the name suggests that it was a reaction to the "classic" style of the earlier Flemish painters, [1] [2] just as the Italian Mannerists were reacting to, or trying to go beyond, the classicism of High Renaissance art. The Antwerp Mannerists' style is ...
480 cm × 360 cm (190 in × 140 in) Location. Iglesia de Santo Tomé, Toledo. The Burial of the Count of Orgaz (Spanish: El Entierro del Conde de Orgaz) is a 1586 painting by El Greco, a prominent Renaissance painter, sculptor, and architect of Greek origin. Widely considered among his finest works, it illustrates a popular local legend of his ...
Mannerist artists focused on greatly displaying their technique, their exaggeration of figures, and decorative elements resulting in extremely stylized and hyperbolic pieces. [13] Contemporarily, Arcimboldo is thought of as one of the first pioneers of the Mannerist art style especially due to his unique use of still life images. [13] [14] [5]
El Greco. Doménikos Theotokópoulos (Greek: Δομήνικος Θεοτοκόπουλος, IPA: [ðoˈminikos θeotoˈkopulos]; 1 October 1541 – 7 April 1614), [2] most widely known as El Greco (Spanish pronunciation: [el ˈgɾeko]; "The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. El Greco was a nickname ...