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Polysyndeton (from Ancient Greek πολύ poly "many" and συνδετόν syndeton "bound together with") [1] is the deliberate insertion of conjunctions into a sentence for the purpose of "slow[ing] up the rhythm of the prose" so as to produce "an impressively solemn note."
Asyndeton may be contrasted with syndeton (syndetic coordination) and polysyndeton, which describe the use of one or multiple coordinating conjunctions, respectively. More generally, in grammar , an asyndetic coordination is a type of coordination in which no coordinating conjunction is present between the conjuncts.
Syndeton (from the Greek συνδετόν "bound together with") or syndetic coordination in grammar is a form of syntactic coordination of the elements of a sentence (conjuncts) with the help of a coordinating conjunction.
Asyndeton – the deliberate omission of conjunctions that would normally be used. Audience – real, imagined, invoked, or ignored, this concept is at the very center of the intersections of composing and rhetoric. Aureation – the use of Latinate and polysyllabic terms to "heighten" diction.
Asyndeton: omission of conjunctions between related clauses. Chiasmus: two or more clauses related to each other through a reversal of structures in order to make a larger point. subordinate class to antimetabole. Climax: arrangement of words in an ascending order.
For example, the figure of speech "MANY ANDS" or "POLYSYNDETON" is straight-forward and literal. It puts equal emphasis on everything connected by each "and". A companion or opposite figure is Asyndeton or "NO ANDS" which intends for the listener or reader to skim over the details to a climax statement that follows.
The Oxford Dictionary of Literary Terms offers a much broader definition for zeugma by defining it as any case of parallelism and ellipsis working together so that a single word governs two or more parts of a sentence.
In rhetoric, chiasmus (/ k aɪ ˈ æ z m ə s / ky-AZ-məs) or, less commonly, chiasm (Latin term from Greek χίασμα chiásma, "crossing", from the Greek χιάζω, chiázō, "to shape like the letter Χ"), is a "reversal of grammatical structures in successive phrases or clauses – but no repetition of words".