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A patent for the method of "Joining Glass Mosaics" was issued to Sanford Bray in 1886, [14] This new method of joining pieces of stained glass used copper/copper foil instead of lead sashes. By using copper foil, one could now make cylinders, cones, and globe-shaped shades or many other irregular forms.
Schematic depiction of H- and U-shaped lead came cross sections, with embedded glass pieces Musée de Cluny students at work in a stained glass workshop. A came is a divider bar used between small pieces of glass to make a larger glazing panel. There are two kinds of came: the H-shaped sections that hold two pieces together and the U-shaped ...
This product has wide domestic application and may be mistaken for genuine stained glass or leadlight. Another method now available is the use of coloured resins that are floated onto the glass, with the different colours divided by a line of resin that emulates the lead came which is used in traditional pieces.
Lead came was also frequently used for window panes in skylights and stained glass. It was also used for small pieces of sculpture and garden ornamentation. Lead was frequently added to paint, with red lead used as an anti-corrosive pigment for iron, and white lead used as paint for wooden houses.
The primary method of including colour in stained glass is to use glass, originally colourless, that has been given colouring by mixing with metal oxides in its melted state (in a crucible or "pot"), producing glass sheets that are coloured all the way through; these are known as "pot metal" glass. [2]
This can be contrasted with the method of painting in enamels or glass paint on colorless glass, and then setting the glass pieces in lead channels, which had been the dominant method of creating stained glass for hundreds of years in Europe. Tiffany trademarked Favrile (from the old French word for handmade) on November 13, 1894. He later used ...