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According to the Bach Digital website, the time of origin of Johann Sebastian Bach's Prelude in C minor, BWV 999, is unknown. [2] Based on Thomas Kohlhase [], the 1998 edition of the Bach-Werke-Verzeichnis indicates that the piece likely originated in Bach's Köthen period, that is, between 1717 and 1723. [3]
The Prelude and Fugue in C minor, BWV 871, is a keyboard composition by Johann Sebastian Bach. [1] It is the second prelude and fugue in the second book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer. It was composed in 1738. [2]
Twelve Little Preludes (French: Douze petits Préludes; German: Zwölf kleine Praeludien), BWV 924–930, 939–942 and 999, is a 19th-century compilation of short pieces, collected from various 18th-century manuscripts written by Johann Sebastian Bach and others.
Little Prelude in C major, BWV 933 played on a harpsichord by Gérard Janot. The C major prelude consists of two brief sections, repeated as a pair, followed by a variation on each section, again repeated as a pair. [3] The first segment demands complete independence of the right and left hands, with the left hand providing a busy accompaniment.
Prelude in C minor, by Johann Sebastian Bach, from the Prelude and Fugue in C minor, BWV 871, from Book II of The Well-Tempered Clavier; Prelude in C minor, BWV 934, by Johann Sebastian Bach, from the Six Little Preludes, BWV 933–938; Prelude in C minor, BWV 999, by Johann Sebastian Bach, for solo lute; Prelude in C minor, Op. 28 No. 20, by ...
Most are three- and four-voiced fugues, but two are five-voiced (the fugues in C ♯ minor and B ♭ minor from Book 1) and one is two-voiced (the fugue in E minor from Book 1). The fugues employ a full range of contrapuntal devices (fugal exposition, thematic inversion, stretto , etc.), but are generally more compact than Bach's fugues for organ .
Prelude and Fugue in C Minor, BWV 847, is a keyboard composition written by Johann Sebastian Bach. It is the second prelude and fugue in the first book of The Well-Tempered Clavier, a series of 48 preludes and fugues by the composer.
Of these, Applicatio in C major BWV 994 and Prelude in G minor BWV 930 are particularly notable because they are the only surviving works that feature the fingering in Bach's own hand (the only other Bach piece with fingering marks is the C major Prelude BWV 870a, however, the marks are not in Bach's hand).