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Stella looks up and points, Stanley appears to be confused. Stella then taps her side of the ice sheet with her tail. Stanley gazes upward and then nods to her, understanding what he can do. As Stella watches, Stanley flies further and further up until he is high enough and then dives towards the ice sheet, breaking it. Stella approaches ...
The movie premiered at the Radio City Music Hall, and in a contemporary review for The New York Times, critic Frank S. Nugent wrote that the character of Stella Dallas, first portrayed on the screen 12 years earlier, was outdated, but that the film's theme of motherly love endured: "[W]e cannot accept Stella Dallas in 1937. She is a caricature ...
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Stella is portrayed as sensual and deferring to the will of her husband. Stanley is prone to fits of rage in which he throws things and hits Stella, who often finds herself taking refuge with upstairs neighbor Eunice Hubbell (who is often abused by her own husband, Steve, as well), only to return to Stanley when he cries for her to take him back.
Stella is a 1990 American drama film produced by The Samuel Goldwyn Company and released by Touchstone Pictures. The screenplay by Robert Getchell is the third feature film adaptation of the 1923 novel Stella Dallas by Olive Higgins Prouty .
Stella Dallas is a 1923 novel by Olive Higgins Prouty and published by Houghton Mifflin, written in response to the death of her three-year-old daughter from encephalitis. [1] It tells the story of the eponymous protagonist, a working-class woman who marries a rich businessman but struggles to adapt to her new life.