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Following the end of her contract with Epic, Munroe began working with friend and Grammy-nominated producer Chris Seefried.In his LA studio, they experimented with jazz ballads, and recorded an original song called "Nobody's Sweetheart" and an interpretation of the 1966 song "Blackbird" by Nina Simone, using a cappella vocals and then building the music around Munroe's voice. [5]
Carol Kaye (One of the most recorded bass players in history) Charlotte Kemp Muhl (from The Ghost of a Saber Tooth Tiger) Kerri Kenney-Silver (formerly of Cake Like) Debra Killings; Holly Knight (formerly of Device) handled the bass parts on the band's lone album 22B3
Brittany Amber Howard (born October 2, 1988 [4] [5]) is an American musician from Athens, Alabama.She rose to prominence in the early 2010s as the lead vocalist, rhythm guitarist, and primary songwriter of Alabama Shakes.
Carol Kaye (née Smith; [1] born March 24, 1935) [2] is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 65 years.
Rosemary Ann Butler (née Lane; [1] born April 6, 1947 [2]) is an American singer. She began her career playing bass guitar and singing in an all-female band named the Ladybirds while attending Fullerton Union High School in Fullerton, California. The band appeared on several Los Angeles area television shows before opening for the Rolling ...
This is a non-diffusing subcategory of Category:Bass guitarists. It includes bass guitarists that can also be found in the parent category, or in diffusing subcategories of the parent. Biography portal
Angela Stefano of Taste of Country wrote that the song was "a big ol' slice of girl power". [2] Writing for the same site, Cillea Hougton stated that "The summery track ditches the polite standards associated with the phrase the song is named after, instead following a single woman for a night on the town where she treats herself to the highest liquor on the shelf and dances like no one’s ...
The reviewer of Billboard wrote: "While the sweet-voiced Collins fares less well with rock-oriented material such as 'Like a Rolling Stone,' she excels on tender, melodic numbers like 'Dark Eyes,' 'Just Like a Woman,' and the devotional 'I Believe In You'; the early '60s-vintage 'Bob Dylan's Dream' acquires a moving new resonance in Collins ...