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"God Save the Tsar!" (Russian: Боже, Царя храни!, IPA: [ˈboʐɨ tsɐˈrʲa xrɐˈnʲi]) was the national anthem of the Russian Empire. The song was chosen from a competition held in 1833 and was first performed on 18 December 1833. It was composed by violinist Alexei Lvov, with lyrics written by the court poet Vasily Zhukovsky.
"The Prayer of Russians" [a] is a patriotic hymn that was used as the national anthem of Imperial Russia from 1816 to 1833. After defeating the First French Empire, Tsar Alexander I of Russia recommended a national anthem for Russia.
It was well received by Nicholas I, who chose the song to be the next anthem of Imperial Russia. The song resembled a hymn, and its musical style was similar to that of other anthems used by European monarchs. "God Save the Tsar!" was performed for the first time on 8 December 1833, at the Bolshoi Theater in Moscow. It was later played at the ...
Alexei Fyodorovich Lvov (Russian: Алексей Фёдорович Львов) (5 June [O.S. 25 May] 1798 – 28 December [O.S. 16 December] 1870) was a Russian composer., best known for the composition of the Imperial Russian National Anthem, God Save the Tsar.
Select hymns and gospel songs taken from the Church hymnal for use in conferences and special meetings (1929) Songs of cheer for children, a collection of hymns and songs suitable for use in the primary and junior departments of our Sunday schools, authorized by Mennonite General Conference, compiled by Music Committee (1929) [616] [617]
The original version of the song, written by Vasily Zhukovsky and Egor Fyodorovich Rozen, praised the Tsar and the Russian Tsardom, while the latter version by Sergey Gorodetsky was one of a patriotic form and is sometimes regarded as the unofficial anthem of Russia in the 20th century and even today.
The Year 1812, Solemn Overture, Op. 49, popularly known as the 1812 Overture, [1] is a concert overture in E ♭ major written in 1880 by Russian composer Pyotr Ilyich Tchaikovsky. The piece commemorates Russia 's successful defense against the French invasion of the nation in 1812.
The Tsar was also a composer of chant, two of which still exist today in readable and performable condition. Polyphony also appears during this time period in the form of heterophony , which in the Russian tradition meant multiple singers singing the base chant and freely improvising around it while retaining strong ties to the core chant.