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The Yapong dance was first performed to prepare for the 450th anniversary of the city of Jakarta in 1977. At that time, the Dinas Kebudayaan DKI prepared a mass dance performance with the story of the struggle of Prince Jayakarta. The performance, in the form of a ballet, was entrusted to Bagong Kussudiarjo to organize the event.
The Betawi mask dance (Betawi: Topèng Betawi) is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. [1] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [2] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
Betawi mask dance or tari topeng Betawi is a theatrical form of dance-drama of the Betawi people in Jakarta, Indonesia. [9] This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). [10] The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama.
Ondel-ondel is a large puppet figure featured in the Betawi folk performance in Jakarta, Indonesia. As an icon of Jakarta, ondel-ondel is often utilized as a pair for livening up festivals or welcoming guests of honor. It is one of a few Indonesian folk performances that has survived modernization and is still being regularly performed.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Javanese dance (Indonesian: Tarian Jawa; Javanese: ꧋ꦠꦫꦶꦗꦮ, romanized: Beksan Jawa) is the dances and art forms that were created and influenced by Javanese culture in Indonesia. Javanese dance movement is controlled, deliberate, and refined.
A kecak dance being performed at Kolese Kanisius, Jakarta This is an example of what James Clifford describes as part of the "modern art-culture system" [ 4 ] in which "the West or the central power adopts, transforms, and consumes non-Western or peripheral cultural elements, while making 'art,' which was once embedded in the culture as a whole ...
Baksa Kembang dancers are equipped with a scarf (selendang) that is used to dance so that when dancing they look elegant and charming.One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the gajah gemuling, which is a crown decorated with two small bogam flowers and woven young coconut leaves which are often called halilipan.