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A grid applied within an image (instead of a page) using additional angular lines to guide proportions. In graphic design, a grid is a structure (usually two-dimensional) made up of a series of intersecting straight (vertical, horizontal, and angular) or curved lines (grid lines) used to structure content.
Graph paper, coordinate paper, grid paper, or squared paper is writing paper that is printed with fine lines making up a regular grid. It is available either as loose leaf paper or bound in notebooks or Graph Books. It is commonly found in mathematics and engineering education settings, exercise books, and in laboratory notebooks.
Grids and templates are page layout design patterns used in advertising campaigns and multiple-page publications, including websites. A grid is a set of guidelines, able to be seen in the design process and invisible to the end-user/audience, for aligning and repeating elements on a page. A page layout may or may not stay within those ...
During the 1970s and 1980s, pen plotters, using Vector graphics, were common for creating precise drawings, especially on large format paper. However, since then almost all printers create the printed image as a raster grid, including both laser and inkjet printers.
Discrete global grid (DGG), a grid that covers the entire Earth's surface; Grid (graphic design) (or typographic grid), organized lines for guiding graphic design; Grid plan, a city design with streets running at right angles; Grid paper, paper with a regular grid printed on it; Hex grid, a board game design
Initially, paper was ruled by hand, sometimes using templates. [1] Scribes could rule their paper using a "hard point," a sharp implement which left embossed lines on the paper without any ink or color, [2] or could use "metal point," an implement which left colored marks on the paper, much like a graphite pencil, though various other metals were used.
The grid format also features prominently in minimalist and conceptual art of the 60's and 70's. The art theorist Rosalind Krauss writes, "In the temporal dimension, the grid is an emblem of modernity by being just that: the form that is ubiquitous in the art of our century, while appearing nowhere, nowhere at all, in the art of the last one.
This style was defined by the use of sans-serif typefaces, and employed a page grid for structure, producing asymmetrical layouts. By the 1960s, the grid had become a routine procedure. The grid came to imply the style and methods of Swiss Graphic Design. Ruder demonstrated a grid of nine squares as the basis for different sizes of image.