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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
It is an important aspect of Indian literary criticism and aims to enhance the beauty and expressiveness of literary works. It is based on the concept that literary works should be pleasing and enjoyable to the reader, and it provides guidelines for the use of literary devices such as metaphor, simile and imagery, as well as rules for the ...
Hindustani has three aspects, Habitual aspect, Perfective Aspect and the Progressive Aspect. [10] To construct the progressive aspect and forms, Hindustani makes use of the progressive participle rahā which is derived from the verb rahnā ("to stay" or "to remain"). Unlike English and many other Indo-European languages, Hindustani does ...
Hindustani is extremely rich in complex verbs formed by the combinations of noun/adjective and a verb. Complex verbs are of two types: transitive and intransitive. [3]The transitive verbs are obtained by combining nouns/adjectives with verbs such as karnā 'to do', lenā 'to take', denā 'to give', jītnā 'to win' etc.
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas . In modern times, the Khadi dialect became more prominent and a variety of literature was produced in Sanskrit .
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As a result, the prestige of Persian Literature influenced the Hindu poet in his selection of non-Persian literary traditions, and there was a simultaneous interest of both Hindi and Urdu poets in similar aspects of their respective traditions—particular themes and imagery, the couplet form, poetic figures and alliteration. Although outwardly ...
Pariśiṣṭa "supplement, appendix" is the term applied to various ancillary works of Vedic literature, dealing mainly with details of ritual and elaborations of the texts logically and chronologically prior to them: the Samhitas, Brahmanas, Aranyakas and Sutras. Naturally classified with the Veda to which each pertains, Parisista works exist ...