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May be rack-mounted, wall-mounted or portable. Wall mount station: Fixed-position intercom station with built-in loudspeaker. May have flush-mounted microphone, hand-held push to talk microphone or telephone-style handset. Belt pack: Portable intercom station worn on the belt such as an interruptible feedback (IFB) with an earpiece worn by talent.
Boundary microphone (Audio-Technica ATM87R) A boundary microphone (or pressure zone microphone) is one or more small omnidirectional or cardioid condenser mic capsule(s) positioned near or flush with a boundary (surface) such as a floor, table, or wall. The capsule(s) is/are typically mounted in a flat plate or housing.
One type of directional microphone, called cardioid mics, are widely used in live sound, because they reduce pickup from the side and rear, helping to avoid unwanted feedback from the stage monitor system. Microphones used for sound reinforcement are positioned and mounted in many ways, including base-weighted upright stands, podium mounts, tie ...
The height of a rack can vary from a few inches, such as in a broadcast console, to a floor-mounted rack whose interior is 45 rack units (200.2 centimetres or 78.82 inches) high. 42U is a common configuration. Many wall-mounted enclosures for industrial equipment use 19-inch racks.
For large complex multi channel radio microphone systems, as used in broadcast television studios and musical theater productions, modular receiver systems with several (commonly six or eight) true diversity receivers slotting into a rack-mounted mainframe housing are available. Several mainframes may be used together in a rack to supply the ...
The Wall of Sound was an enormous sound reinforcement system designed in 1973 specifically for the Grateful Dead's live performances. The largest concert sound system built at that time, [1] [2] the Wall of Sound fulfilled lead designer Owsley "Bear" Stanley's desire for a distortion-free sound system that could also serve as its own monitoring ...