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Philip Connard, CVO, RA, RWS (24 March 1875 – 8 December 1958) was a British painter known particularly for his paintings of decorative landscapes. Connard rose from humble origins to become an eminent artist in oils and watercolours whose commissions brought him royal recognition.
The painting depicts "a sculpted head of Pan beside white gloves and a glass vase filled with white roses". [1] Lambert created the bust of Pan as part of a costume for a character he played in a tableau vivant, The awakening of Pan, created in 1909 by the wife of the artist Philip Connard. [2]
Paintings from James McNeill Whistler were loaned to the exhibition in 1914. Other loaned works were those of William Nicholson, William Orpen, Édouard Manet, Frank Brangwyn, Philip Connard, William McTaggart, the Edinburgh artist James Pryde, the Valenican artist Joaquín Sorolla and the Danish artist Vilhelm Hammershøi.
In January 1903, aged 16 years old and barely able to speak English, Blampied left Jersey to study at the Lambeth School of Art, where he was taught by Philip Connard R.A. and Thomas McKeggie. After taking a test and submitting some drawings, in May 1904 Blampied won a £20 London County Council (LCC) Scholarship for two years to continue his ...
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Connard is a surname. Notable people with the surname include: Geoffrey Connard (1925–2013), Australian politician; Leo Connard (1860–after 1928), Austrian actor; Philip Connard (1875–1958), British artist
Cornard Wood, near Sudbury, Suffolk is a 1748 landscape painting by Thomas Gainsborough, now in the National Gallery, London, which bought it in 1875.The title has been used since 1828 and derives from a 1790 print of a Gainsborough work, though it is unproven whether the church tower in the background can be identified with that at Great Cornard, Suffolk.
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