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In Guatemala the Sihuanaba is known as La Siguanaba; she is known as Cigua in Honduras, Ciguanaba in El Salvador and as Cegua in Costa Rica. Although the name varies from place to place, the appearance and actions of the Sihuanaba remain unchanged. [11]
A Ciguapa (pronounced see-GWAH-pah) [citation needed] is a mythological creature of Dominican Republic folklore. They are commonly described as having human female form with brown or dark blue skin, backward facing feet, [ 1 ] and very long manes of smooth, glossy hair that covers their bodies.
Alguna vez se escucho la leyenda de un ser de los bosques llamado ciguapo. Era este un gallo vuelto de espaldas, con el lomo emplumado y el pecho con senos de mujer. Cuentan que su grito se asemeja al llanto de un niño, y que esperan terribles infortunios a la persona que se atreve a matar a una de estas aves. Si usted ve a una ciguapa, nunca ...
The coat of arms of El Salvador with historically accurate colors and proportions The five rowed volcanos in the coat of arms were inspired by the Cordillera de Apaneca volcanic range The coat of arms has the words "REPÚBLICA DE EL SALVADOR EN LA AMÉRICA CENTRAL" ( transl. "Republic of El Salvador in Central America" ) in a bold and heavy ...
The black cadejo is malevolent and lures people to make bad choices. The black cadejo has glowing purple eyes and eats newborn babies. The book Los perros mágicos de los volcanes (Magic Dogs of the Volcanoes), by Manlio Argueta, describes the cadejos as mythical dog-like creatures that figure prominently in the folklore of El Salvador. They ...
La Serpiente de la luna de los piratas: Jean-Louis Jorge: Sylvia Morales, Sahdji and Jean-Phillippe Carso ewn: Drama: Jean-Louis Jorge film won an award at a film festival in Toulon, France. [1] 1974: The Godfather Part II: Francis Ford Coppola: Al Pacino, Robert De Niro, and Robert Duvall: Crime drama: Scenes set in Cuba were filmed in the ...
A major non-religious work was a manual for the manufacture of indigo El puntero apuntado con apuntes breves, by Juan de Dios del Cid, who made a rudimentary printing press to publish his work, which may have been the first press in the territory of El Salvador. The document is printed with the date 1641, but Salvadorean literary critic Luis ...
Colson suffered economic hardships in Paris and sales of his works were minimal. [13] Following suggestions from Dominican writer Pedro Henríquez Ureña and Mexican poet Maples Arce, he left for Mexico in 1934 with hopes of improving his situation; there, Colson held a personal exhibition, sponsored by the Secretary of Education and began teaching at the Workers' School of Art. [14]