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The factors important to the development of music in Libya are: indigenous North African music, Arabic music theory, language and culture, and Ottoman Turkish music. Because of these factors, Libya's musical heritage can be further divided into four types: 1. Ceremonial music that is associated with the culture and customs of the Sufi-Turugs. 2.
Tishoumaren (ⵜⵉⵛⵓⵎⴰⵔⴻⵏ in Neo-Tifinagh script) or assouf, [1] internationally known as desert blues, is a style of music from the Sahara region of northern and west Africa. Critics describe the music as a fusion of blues and rock music with Tuareg, Malian or North African music. [2]
King Dinis I of Portugal, from the Semblanzas de reyes.. In Portugal, an aristocratic poetical-musical genre was cultivated, at least since the independence (1139), whose texts are kept in three main collections (Cancioneiros): Cancioneiro da Ajuda (13th century), Cancioneiro da Biblioteca Nacional (16th, on originals from the 14th), Cancioneiro da Vaticana (16th, on originals from the 14th).
The culture of North Africa encompasses the customs and traditions of art, architecture, music, literature, lifestyle, philosophy, food, politics and religion that have been practiced and maintained by the numerous ethnic groups of North Africa. North Africa encompasses the northern portion of Africa, including a large portion of the Sahara Desert.
Portugal has had a history of receiving different musical influences from around the Mediterranean Sea, across Europe and former colonies. In the two centuries before the Christian era, Ancient Rome brought with it Greek influences; early Christians, who had their differing versions of church music arrived during the height of the Roman Empire; the Visigoths, a Romanized Germanic people, who ...
Around 1415, Portugal engaged in a reconquista of North Africa by capturing Ceuta, and in later centuries Spain and Portugal acquired other ports on the North African coast. In 1492, at the end of the Granada War , Spain defeated Muslims in the Emirate of Granada , effectively ending eight centuries of Muslim domination in southern Iberia.
African drum made by Gerald Achee Drummers in Accra, Ghana. Sub-Saharan African music is characterised by a "strong rhythmic interest" [1] that exhibits common characteristics in all regions of this vast territory, so that Arthur Morris Jones (1889–1980) has described the many local approaches as constituting one main system. [2] C. K.
Music of the African diaspora is a sound created, produced, or inspired by Black people, including African music traditions and African popular music as well as the music genres of the African diaspora, including some Caribbean music, Latin music, Brazilian music and African-American music. Music of the African diaspora was mostly refined and ...