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Graphic Communications focuses on the technical aspects of producing and distributing items of visual communication. This includes technical aspects associated with the production of tangible items such as books, magazines and packaging, as well as digital items such as e-newsletters, interactive apps, websites, video and virtual reality applications.
Tujuh rupa batik craftsmen have placed Chinese ceramic ornaments as a manifestation of ancestral cultural ties which in their paintings have eloquence and tenderness. Various ornamental plants are the main objects, and are widely found in Chinese ceramic paintings, combined with various animals such as sparrows, peacocks, dragons, and butterflies.
The artist-designer Jules Chéret (1835–1932) was a notable early creator of French Art Nouveau posters. He helped turn the advertising poster into an art form. The son a family of artisans, he apprenticed with a lithographer and also studied at the École nationale supérieure des arts décoratifs.
Mochtar Apin (23 December 1923 – 1 January 1994) was an accomplished Indonesian painter, illustrator, writer and tenured lecturer who taught fine arts at the Bandung Institute of Technology, ITB.
An image of the Melissa computer virus created by Ukrainian artist Stepan Ryabchenko in 2011. Irrational Geometrics' digital art installation, 2008 by Pascal Dombis Digital art refers to any artistic work or practice that uses digital technology as part of the creative or presentation process.
Maurits Cornelis Escher (/ ˈ ɛ ʃ ər /; [1] Dutch: [ˈmʌurɪts kɔrˈneːlɪs ˈɛɕər]; 17 June 1898 – 27 March 1972) was a Dutch graphic artist who made woodcuts, lithographs, and mezzotints, many of which were inspired by mathematics.
In the book New Media Art, Mark Tribe and Reena Jana named several themes that contemporary new media art addresses, including computer art, collaboration, identity, appropriation, open sourcing, telepresence, surveillance, corporate parody, as well as intervention and hacktivism. [13]
Priyanto Sunarto, Seniman, 1976, reconstructed 2015, Line drawing on wall, Collection of National Gallery Singapore The Indonesian New Art Movement, also known as Gerakan Seni Rupa Baru (GSRB) was an art movement of young artists from Bandung and Yogyakarta against the institutional concept of Indonesian fine art (Indonesian: Seni Rupa) being limited to paintings and sculptures.