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The travails of apartheid South Africa speak to today's rise in authoritarianism, which William Kentridge probes in his art. Review: William Kentridge's sprawling Broad installation is an ...
William Kentridge (born 28 April 1955) is a South African artist best known for his prints, drawings, and animated films, especially noted for a sequence of hand-drawn animated films he produced during the 1990s. The latter are constructed by filming a drawing, making erasures and changes, and filming it again.
In Los Angeles, Segal was all praise: "Director and animator William Kentridge skillfully integrates the movement of actors and puppets with his often startling animated chalk-drawings and live-action imagery projected at the back of the stage. 'Ubu' may be unrelievedly depressing, but it is executed with consummate artistry."
Felicia, Lady Kentridge (née Geffen; 7 August 1930 – 7 June 2015) was a South African lawyer and anti-apartheid activist who co-founded the South African Legal Resources Centre (LRC) in 1979. [1] The LRC represented black South Africans against the apartheid state and overturned numerous discriminatory laws; Kentridge was involved in some of ...
Indie streamer Mubi has acquired worldwide streaming rights to South African artist William Kentridge’s prestige series “Self-Portrait As a Coffee Pot” which explores how art is made in the ...
In 1952, Kentridge married Felicia Geffen, [18] a lawyer and anti-apartheid activist who co-founded the South African Legal Resources Centre (LRC); [19] Kentridge himself was a founding trustee of the LRC. [5] He has lived in Maida Vale, London, since the 1990s, and has four children, nine grandchildren and two great-grandchilden.
The Truth and Reconciliation Commission (TRC) was a court-like restorative justice [1] body assembled in South Africa in 1996 after the end of apartheid. [a] Authorised by Nelson Mandela and chaired by Desmond Tutu, the commission invited witnesses who were identified as victims of gross human rights violations to give statements about their experiences, and selected some for public hearings.
The film centers on the real life stories of South African contemporary artists William Kentridge and Marlene Dumas who are also well known as popular artists in international contemporary art. [2] The film shows them in discussion regarding drawing, painting and filmmaking. [3] The film was screened at the 2009 Encounters Documentary Film ...